Biennale Arte 2024
Exhibition Overview
1. LED Screen
2. Organ
3. Red Polished (Glitch) Ware
4. Tyre Track
5. On the Right to be Forgotten, Part I:
Wayback Machine to Sun City
6. Beacons and Pillars
7. AVRION PROIN EN NA DEIS /
TOMORROW MORNING YOU WILL SEE
8. I stay oriented towards you, weak as you make me
9. Crossover Frequency Spectrum
10. Despite our severed connection,
11. قد تملكون القناديل لكن الضوء لنا الحلقة الثانية: كحل الليل /
You May Own the Lanterns but We Have the Light, Episode Two: Eyeshadow Dark as Night
12. Gaming Tower
Vigil Workspace
Publication
1. LED Screen
2. Organ
3. Red Polished (Glitch) Ware
4. Tyre Track
5. On the Right to be Forgotten, Part I:
Wayback Machine to Sun City
6. Beacons and Pillars
7. AVRION PROIN EN NA DEIS /
TOMORROW MORNING YOU WILL SEE
8. I stay oriented towards you, weak as you make me
9. Crossover Frequency Spectrum
10. Despite our severed connection,
11. قد تملكون القناديل لكن الضوء لنا الحلقة الثانية: كحل الليل /
You May Own the Lanterns but We Have the Light, Episode Two: Eyeshadow Dark as Night
12. Gaming Tower
Vigil Workspace
Publication
Lower Levant Company
with Gaetano di Gregorio
Six channel audio, steel truss, fiberglass and resin IWATA-300, 600, 1200 horns, 3D printed covers and holders, compression drivers, copper slag. Mixed-clay ceramic IWATA horns by Gaetano di Gregorio. 3D printing by Alexis Charalambous.
Photography by Ugo Carmeni 2024
Via the thoroughfare that connects the front of the pavilion to Soundr, lies
Crossover Frequency Spectrum, a steel truss supporting a six-channel horn
speaker system. Each Iwata horn, repurposed from audiophile culture,
is tuned with crossovers to specific frequencies, focusing each horn to
different recordings: local bats chirping, whistlers and cracklings from the
ionosphere near military antennae, field recordings from the LLC acoustic
mirror in Asomatos, Limassol, in proximity to the UK SBA of Akrotiri and
sounds from the Venice canal through the Organ (Rafailia Tsiridou, Emiddio
Vasquez). Recordings across scales of magnitude and locations, that call
for an adjustment of the senses and an attunement towards soundings that
are often present, and even extremely loud, but not easily audible – not
unlike the geopolitical occurings across the seemingly ‘quiet thoroughfare’
that is Cyprus.
Photography by Ugo Carmeni 2024
Photography by Ugo Carmeni 2024
The wave of copper slag serves as a material bedding for the mixed-clay ceramic horns by ceramicist and architect Gaetano di Gregorio, offering an alternative mode of listening reoriented to the land. Zooming out, the slag doubles down as an overused metaphor for Cyprus’ geological formation and history as a site of copper extraction. Offering a new twist to the island’s ‘emergence’ in the Levant region as an ‘antenna island’, it has led some to even speculate that the conductivity of the copper found in the soil across the island may be one of the reasons why radio transmission stations were set up in Cyprus, since it would enhance the electrical grounding of antennas. To continue and extend the metaphor, when thinking of copper slag as a byproduct of copper production, one may be provoked to speculate what the byproduct of these listening and transmitting operations – ongoing until today – might be, towards rethinking the island’s complicity in regional conflicts.